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Yayoi

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Yayoi Kusama is one of those artists who is both deserving of their commercial success and seemingly unimpacted by it. According to artnet, she is the 3rd most expensive living female artist, and compared to other millionaire makers who produce pop-y, market friendly work, like Jeff Koons and Anish Kapoor, she is actually somewhat interesting. The most inspiring thing to me about Kusama is the way, or rather the amount, that she works. At 92, she still goes into the studio everyday and makes art with her own hands. At her level of success, she could work exclusively with an army of assistants and basically license out her aesthetic -- but she has not done that, because she is obsessed with material and pattern and form and color, not making fucking money. I want to be like her. I want to die at 95 with a camera in my hand and $7 in my bank account. I want to be so fucking worked up over making the world look weird that it gets in the way of my everyday life.       ...
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Muddy Muddy Show

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The group project was a lot of fun and very exciting creative task! Normally, most of my artistic practice is just me. I spend a lot of time behind my computer screen or in the sculpture studio working by my own sad self. It was really eye opening to make art as a group and respond to people creatively. Putting those metal pieces on the wall with Chapin was sort of like a dance -- the two of us were able to work together to make one thing happen. It was also just such a stress reliever! I have gotten way to serious about basically everything in my life recently I think. It's all bills and doctors appointments and credit scores and attempts at "good art" with me these days. It felt SO SO good to rip up paper and draw on walls and act like a seven year old for a few hours.  Technically, seeing how to set up a scrim in a space like this and project video onto it was very useful. Pairing the work out video with the chanting totally changed the space, and playing ASMR in there...
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Convocation Reflection

I don’t know if I like Alexandria Bell's work. She messes with text and newspapers to draw attention to how public narratives are constructed. However, she comes from a journalistic background, and I think it shows. Her edited New York Times covers don’t have a lot of visual interest – at least to my eyes – and to understand what she is doing, I think you have to read about her work or attend a lecture about it. If that’s the case, I don’t know why she wouldn't just cut out the middleman and write an essay. I know she said she's not super interested in doing that – she mentioned she doesn’t want to work at a paper, she isn’t a journalist, etc. – but to me, it feels like her critiques could be better expressed through straightforward writing. When she was still wheat pasting her images, I’m guessing they had a greater impact, and in the Q&A, she basically said as much. But I also recognize that it is a lot easier to feed yourself as an artist when you can frame and sell...
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