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Convocation Reflection

I don’t know if I like Alexandria Bell's work. She messes with text and newspapers to draw attention to how public narratives are constructed. However, she comes from a journalistic background, and I think it shows. Her edited New York Times covers don’t have a lot of visual interest – at least to my eyes – and to understand what she is doing, I think you have to read about her work or attend a lecture about it. If that’s the case, I don’t know why she wouldn't just cut out the middleman and write an essay. I know she said she's not super interested in doing that – she mentioned she doesn’t want to work at a paper, she isn’t a journalist, etc. – but to me, it feels like her critiques could be better expressed through straightforward writing. When she was still wheat pasting her images, I’m guessing they had a greater impact, and in the Q&A, she basically said as much. But I also recognize that it is a lot easier to feed yourself as an artist when you can frame and sell...
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Yayoi

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Yayoi Kusama is one of those artists who is both deserving of their commercial success and seemingly unimpacted by it. According to artnet, she is the 3rd most expensive living female artist, and compared to other millionaire makers who produce pop-y, market friendly work, like Jeff Koons and Anish Kapoor, she is actually somewhat interesting. The most inspiring thing to me about Kusama is the way, or rather the amount, that she works. At 92, she still goes into the studio everyday and makes art with her own hands. At her level of success, she could work exclusively with an army of assistants and basically license out her aesthetic -- but she has not done that, because she is obsessed with material and pattern and form and color, not making fucking money. I want to be like her. I want to die at 95 with a camera in my hand and $7 in my bank account. I want to be so fucking worked up over making the world look weird that it gets in the way of my everyday life.       ...
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Installation Sensation!

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I love looking at Yayoi Kusama's work. She transforms spaces into highly graphic experiences, and I want to try and emulate that with my project. So, I am proposing a piece where I polka dot Warch! I want to make circular pink stickers using the vinyl cutter in the maker space and put them on the floor of the campus center. I also want to make black "squiggle" descales that will overlap the dots and provide visual interest.  Things that need to happen to make this happen: Get approval from the building manager of Warch, campus safety, and the provost Perhaps make a test install in Wriston to show that this is safe and will not harm terrazzo floors Make an SVG template with dots and squiggles Secure vinyl -- either purchase it myself or see in Angela in the makerspace can use school funds Find a group of friends to help with the install Cut out decals Install, preferably on a weekend in the pm (after 10) Remove, maybe four or five days later
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